RHIANON BADER

A dilly of a pickle.

Posted in news, portfolio, writing by rhianon on September 9, 2009

My most recent article for Color Magazine, entitled “We Are Not Style Icons,” is featured on the cover of the newest issue. The cover photo is a portrait of Jason Dill (taken by Mike Piscitelli), who was one of a handful interviewed for the article.  There’s loads of other interesting stuff within those pages too. The issue is hitting news stands on September 25th.

Color Magazine 7.4 cover: Jason Dill

Poof! Out of the Bloom! Here we all are.

Posted in news, photography, portfolio, writing by rhianon on September 8, 2009

I studied in the south of France for a semester in 2006. While there I took any chance I got to travel around with my skateboard, camera and some friends. The editor at Color Magazine mentioned that he’d heard rumours that Barcelona as the skateboard mecca was “over” and wondered if I felt this was true. I got to thinking about how traveling – whether it involves a two hour drive or a voyage around the world – has been so important to skateboarders. There something quite amazing about the flexibility of the act of skateboarding and its ongoing interaction with architecture and cities. The innumerable ways in which this interaction can play out with a given place, time, and individual is the really fascinating bit. Here’s a short piece that I wrote and co-photographed for Color while I was overseas.

Europe or Bust - Color Magazine 4.1 (Winter/Spring 2006)

EUROPE OR BUST
Out of the Bloom
(Color 4.1 – Winter/Spring 2006)
by rhianon bader

What is it that makes us constantly search for the untouched, for the treasure chest that holds everything we could’ve ever imagined? The thing with skateboarding is that, like any passion, it cannot provide us with the same feelings of excitement, reward and adrenalin, always and forever. Skateboarding can continue to be the cause of some of the most enjoyable moments in our lives, but the longer we skate and the older we get the harder it is to thoroughly feel the same attachment that we felt in the beginning. I read in a National Geographic about how the ecstatic feelings we get from “being in love” with someone must end after a certain number of months simply because the chemicals our brain releases to give us that feeling will eventually diminish, basically for the sake of maintaining our sanity. The brain would be overloaded if it felt that good all the time. In the same way, the passions we have in life cannot keep the same hold on us as they did in the beginning. But if we are truly dedicated we find ways to make it work, to create “special moments” that reacquaint us with those initial butterflies… perhaps by simply reserving Sunday afternoons for beer/bowl sessions, using long-weekends to take short roadtrips to somewhere new, or skating around downtown solo late at night while the common folk of the world are sleeping. By circumstance and choice, some of us go further, less like lovers trying to keep the magic and more like an addict trying to relive that first high.

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“I was the bastard child, the weirdo…”

Posted in news, portfolio, writing by rhianon on September 2, 2009

Selector Magazine is a brand new large-format, Vancouver-based, and internationally-focused publication to be put out periodically (once or twice a year) by some of the people involved with the Lifetime Collective. The first issue came out in early 2009 and has work from John Copeland, Radio Silence, Michael Jager, Vincent Skoglund, Jody Rogac, Taro Hirano and more. I was asked to interview Main St. (Vancouver) artist Paul Wong, who has created visual works in the video medium for over three decades. See interview below.

Paul Wong Interview for Selector

PAUL WONG: VIDEO & YOUTH
(Selector Magazine Issue 1 – Spring/Summer 2009)
by rhianon bader

RB: You got into video at a pretty young age, when you were still in high school. What was it about that medium that drew you to it?
PW:
Two things: video and youth. One, video was the new young medium, this new generation of technology that had become available and it was really through the need to embrace this as a young person… It made it really spontaneous, with sound and picture, you could record and have instant playback… Really DIY, figure it out yourself, and the medium allows that. Also the fact that had nothing whatsoever to do with any of the other arts, television, or film – it was kind of out there on its own, so I was left to my own devices, free of all those conventions, traditions and rules. There were no rules.

And I’m sure it was much more affordable and accessible than working with film.
Well, yeah. I was never interested in film, I’m not even that interested in film now. I found that whole filmmaking milieu boring as shit, I find most of those people odious, conventional, career-orientated… I was the bastard child, the weirdo, I was the outsider, but I’m still here.
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“I guess you have to be older, bitter and barely skate to get some love.”

Posted in news, portfolio, writing by rhianon on September 2, 2009

For the last several years I’ve worked at Color Magazine as a copy editor and regular contributor to this skateboard culture publication out of Vancouver. The issues are concept-oriented and include fashion, music and art along with all the skateboarding stuff. There isn’t really any other predominantly skateboard-oriented magazine out there that has such an original design and breadth in content. I just finished an article on pro skateboarders-turned-designers for our upcoming fashion issue (Fall 2009), but here’s an older article I did on Flip skateboards and it’s ability to scout out young talent.

Flip Ams Article for Color Magazine

LIKE KIDS IN THE CANDY STORE
Flip ams get ballistic (Color 6.3 – Spring 2008)
words by rhianon bader

Quito, Ecuador, is far, far away from the epicentre of the skateboarding industry. The downtown streets are always packed with assorted vendors, bumpin’ salsa music, heinously decorated buses and gringo tourists like myself. There are not many skateboarders, and the street spots are fun in a run-down, security-guards-with-machine-guns sort of a way. There is, however, a pretty fun skatepark called Parque Carolina… This is where I first saw Flip’s newest pro, 18-year-old David Gonzales, skate a few years back. He was probably 12 or 13 at the time, visiting Ecuador from neighbouring Colombia on a skate trip with some older compatriots. A crew of us went skating around the city, and it was quickly obvious that Gonzales was oozing ridiculous talent that you could spot a mile (or a continent?) away. I wasn’t really that surprised to learn he was getting stuff from Flip, but I remember thinking “how the hell did they find this kid?”
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Oh the crash of the waves…

Posted in news, portfolio, writing by rhianon on September 2, 2009

Two women in the Bay Area recently put out an all-female surf film called Dear and Yonder. It premiered in an alley off Main St. behind Antisocial and I interviewed filmmaker Andria Lessler beforehand for SBC Surf‘s website.

Filmmakers Tiffany Campbell and Andria Lessler, photo: Thomas Campbell

Filmmakers Tiffany Campbell and Andria Lessler, photo: Thomas Campbell

Black and white and read all over

Posted in news, portfolio, writing by rhianon on September 2, 2009

There was this great little newsweekly around a couple summers ago called Tooth and Dagger. It was ambitious and different, and put together by a handful of young people whose ‘office’ was essentially Our Town cafe. I was lucky enough to write some news stories before the reality of paper publishing ended all the fun.

Here’s something I wrote on e-waste recycling in Vancouver that was later published as a sidebar on The Tyee.

It’s August – Do You Know Where Your Ewaste Is?

Ewaste for Tooth and Dagger

Skateboarding and creative community on Main St.

Posted in news, portfolio, writing by rhianon on September 2, 2009

I wrote an article for SBC Skateboarding last year on one of the best places around:
Vancouver’s Antisocial skateboard shop.

SBC Skateboarding Summer 2009 - photo: scott pommier

Article in August 2009 issue of Canadian Biker

Posted in news, photography, portfolio, writing by rhianon on September 1, 2009

I made some words and photos for Canadian Biker on those people with the loud, piece-of-junk motorbikes that keep you up at night.

Skateboarder Motorcyclists for Canadian Biker

ROLL THE NEW REBELS
(Canadian Biker – Aug.2009)
words by rhianon bader

It’s an overcast Sunday morning in April. Sprawled across the parking lot of the Duffin’s Donuts deli in East Vancouver are a dozen or so beat-up Japanese motorcycles from the 70s. Most of the bikes are done up in café racer style to some degree, with clip-on or clubman handlebars and flat, single seats. Though these oil and dirt-encrusted bikes may not fit into one’s typical idea of beauty, their eye-catching individual flair is undeniable. Yet, what truly sets these old Hondas and Yamahas apart from the rest are not even the bikes themselves, but the skateboards strapped onto them.

In the past 10 years Vancouver has seen the steady emergence of a tight-knit motorcycle scene comprised of skateboarders in their 20s and 30s, with the vast majority choosing vintage Japanese bikes for both practical and aesthetic reasons. Despite the evident pursuit of the cafe racer aesthetic, lack of financial abundance means that many of these bikes are becoming ‘rat bikes’ in the truest sense. The idea of keeping a bike on the road for the minimum cost possible certainly has its appeal to a group of artists, students and tradespeople that have yet to (and perhaps never will) rise above the poverty line.
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